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Radharani

5/30/2013

 
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SRIMATI RADHARANI ASHTOTHRARA NAMAVALI

. Srimati Radharani is Sri Krishna’s beloved. On moonlit nights, beckoned by the music of His flute, Radharani would leave her house, ignore tradition and danger to be by Sri Krishna’s side. To nature’s envy, they would sing and dance in the midst of flowery meadows. There their souls merge as they are in perfect yoga. She is the chief of the gopis and extreme devotee of Sri Krishna, and Supreme Goddess. Her name means that She is the most excellent bhakta of Lord Krishna. However, She is also an expansion of the Lord's energy. She is also an extension of Krishna, His pleasure potency and the feminine aspect of God.

Radharani is also known as Sarva-kanti, which indicates that all beauty and luster rest in Her body. All the Lakshmis derive their beauty from Her. Sarva-kanti also means that all the desires of Lord Krishna rest in Radha. As Lord Krishna enchants the world with His beauty and charm, Sri Radha, on the other hand, enchants Him. If He is the mesmeriser, Madana Mohana, then She is Madana Mohana Mohini; the mesmeriser of the mesmeriser. Sri Radha is the full power, and Lord Krishna is the possessor of full power. Thus, the two are non-different, as the sunshine is non-different from the sun, or as the energy is non-different from the energetic or source of energy.

In this way, without Radharani there is no meaning to Krishna and without Krishna there is no meaning to Radharani. Because of this, one always pay respects first to the Lord's internal energy in the form of Radharani, and then to the Lord. She is the mediator without whom access to Krishna is not possible. Thus They are referred to as Radha-Krishna. In this way, Radha and Krishna are one, but when Lord Krishna wants to enjoy, He manifests Himself as Radharani. Otherwise, there is no energy in which Krishna can attain pleasure outside Himself.

SRIMATI  RADHARANI  ASHTOTHRARA  NAMAVALI


1] Radha

2] Gandharvika
Gandharvika, she who is expert in singing and dancing

3] Gosthayuva-rajaika-kamita
The only girl desired by the prince of Vraja,

4] Gandharva radhika
Who is worshipped by the Gandharva-angels,

5] Candrakantir
Whose luster is like the moon,

6] Madhava-sangini
Who accompanies Madhava.

7] Damodaradvaita-sakhi
Damodar's unrivalled girlfriend,

8] Kartikotkirtidesvari
he queen who bestows fame on the Kartika month,

9] Mukunda dayita-vrnda dhammilla mani-manjari
The crest jewel of Mukunda's ladyfriends.

10] Bhaskaropasika
Who worships the sun,

11] Varsabhanavi
Who belongs to King Vrsabhanu.

12] Vrsabhanuja
Who is born from King Vrsabhanu,

13] Ananga manjari
Ananga Manjari's older sister,

14] Jestha sridama
Sridama's younger sister,

15]Varajottama
The greatest (fem.)

16] Kirtida-kanyaka
Kirtida's daughter,

17] Matr-sneha-piyusa-putrika
Who is the nectarean object of Her mother's affection,

18] Visakha-savayah
Who is of the same age as Visakha,

19] Prestha visakha
jivitadhika = Who is dearer than life to Visakha.

20] Pranadvitiya lalita
Who is none other than Lalita's very life,

21] Vrndavana viharini
Enjoys in Vrndavana

22] Lalita prana-laksaika-raksa
Who saves Lalita's life lakhs of times,

23] Vrndavanesvari
Queen of Vrndavana.

24] Vrajendra-grhini krsna-praya-sneha-niketanam
Who is as dear to Mother Yasoda as Krsna,

25] Vraja go-gopa-gopali jiva-matraika-jivanam
Who is the only life of the life of the cows, cowherdsmen and cowherdgirls of Vraja.

26] Snehalabhira-rajendra
Who is the object of King Nanda's affection,

27] Vatsalacyuta-purva-ja
Who gets parental affection from Balaram,

28] Govinda pranayadhara surabhi sevanotsuka
Who is the object of Govinda's love (Govinda is eager to serve His surabhi cows).

29] Dhrta nandisvara-ksema gamanotkanthi-manasa
Who is very eager to go to Nandisvara forserving Krsna

30] Sva-dehadvaitata drsta dhanistha dhyeya-darsana
Who is regarded as non-different from her by Dhanistha and seen in her meditations, (Dhanistha is Yasoda's maidservant).

31] Gopendra-mahisi paka-sala-vedi prakasika
Who is seen in Mother Yadosa's kitchen.

32] Ayur-varddha-karaddhana
Whose cooked grains increase Krsna's life,

33] Rohini ghrata-mastaka
Whose head is smelt by Rohini.

34] Subala nyasta sarupya
Who has bestowed a form equal to Hers to Subala,

35] Subala priti-tosita
Who is very fond of Subala,

36] Mukhara-drk sudha-naptri
Who is nectar in Mukhara's eyes,

37] Jatila drsti-bhasita
Who is afraid to see Her mother-in-law, Jatila.

38] Madhumangala narmokti janita-smita-candrika
Who smiles like the Moonbeams after hearing Madhumangala's jokes.

39] Paurnamasi bahih khelat prana-panjara sarika
The she-parrot of Whose heart is caught in Paurnamasi's cage.

40] Sva ganadvaita jivatuh sviyahankara-vardhini
Who is the only life of Her friends,

41] Sva ganopendra padabja
Who increases the pride f Her relatives.

42] Sparsa-lambhana harsini
Who is very happy to touch Upendra's feet with Her friends.

43] Sviya vrndavanodyana paliki krta-vrndaka
Who has placed Vrnda in charge of Vrndavana's gardens,

44] Jnata vrndatavi sarva lata-taru-mrga-dvija
Who is known by all the Vines, trees, deer and birds of Vrndavana.

45] Isac candana samghrsta nava-kasmira-deha-bhah
Whose body shines with fresh vermillion ground with some sandalpaste.

46] Jjva-puspa pritha-hari patta cinarunambara
Whose silken dress shines more reddish than the java flower.

47] Caranabja-tala-jyotir arunakrta-bhutala
Whose lotus footsoles make the surface of the earth shine crimson-red,

48] Hari citta camatkari caru nupura nihsvana
Who astonishes Hari's mind with the sweet sound of Her anklebells.

49] Krsna-sranti-hara sroni pitha-valgita ghantika
The nice sounds of whose waistbells remove Krsna's fatigue,

50] Krsna sarvasva pinodyat kucancan mani-malika
The pearl necklace on whose firm, raised breasts is everything to Krsna.

51] Nana-ratnollasad sankha-cuda caru bhuja-dvaya
Whose two beautiful arms are adorned with conchshell bangles inset with various jewels.

52] Syamantaka-mani bhrajan mani-bandhati-bandhura
On Whose wrist the beautiful Syamantaka jewel shines.

53] Suvarna darpana-jyotir ullanghi mukha-mandala
The shining of Whose face defeats that of a golden mirror,

54] Pakka dadima bijabha dantakrstaghabhic chuka
Whose teeth, that shine like ripe pomegranate seeds, attract the parrot-like Aghabhit (Krsna).

55] Abja-ragadi srstabja-kalika karna-bhusana
Whose ruby earrings are shaped like lotus buds,

56] Saubhagya kajjalankakta netranandita khanjana
Whose wagtail-like eyes are anointed with beautiful eyeliner, giving great joy to the eyes.

57] Suvrtta mauktika mukta nasika tilapuspika
Whose nose, that is beautiful as a sesame flower, is adorned with a round pearl,

58]Sucaru nava-kasturi tilakancita-bhalaka
Whose forehead is adorned with beautiful tilak made of fresh musk.

59] ddivya veni vinirdhuta keki-pincha-vara-stutih
Whose divine hairbraid is worshiped by peacock feathers (being defeated in beauty),

60] Netranta-sara vidhvamsakrta canurajid dhrtih
The arrows of Whose glances destroy the patience of Krsna, Who defeated the Canura wrestler.

61] Sphurat kaisora-tarunya sandhi-bandhura-vigraha
Who is blooming teenage beauty personified.

62] Madhavollasakonmatta
Who pleases Madhava.

63] Pikoru madhura-svara
Who maddens Madhava with Her sweet, cuckoo-like voice.

64] Pranayuta-sata prestha madhavotkirti-lampata
Who is more attached to Madhava's great glories than to millions of lives,

65] Krsnapanga-tarangodyat smita-piyusa-budbuda
Whose nectarean smiles provide bubbles on the waves of Krsna's glances.

66] Punjibhuta jagallajja vaidagdhi-digdha-vigraha
Who is the very form of cleverness, embarrassing the whole world.

67] Karuna vidravad deha murtiman
Whose body melts in kindness,

68] Madhuri-ghata
Who is abundant sweetness personified.

69] Jagad-gunavati-varga giyamana gunoccaya
Whose glories are loudly sung by all the great ladies of the world.

70] Sacyadi subhaga-vrnda vandyamanoru-saubhaga
Who is incessantly praised by beautiful ladies like Saci.

71] Vina-vadana sangita rasalasya visarada
Who is expert in singing and playing vina in the rasa dance.

72] Narada pramukhodgita jagad anandi sad-yasah
Whose pure glories are sung by sages headed by Narada, giving joy to the world.

73] Govardhana-guha geha grhini
She is the housewife in the caves in Govardhana.

74] Kunja-mandana
She decorates the kunja,

75] Candamsu-nandini baddha bhagini-bhava-vibhrama
She has a sisterly relationship with Yamuna, (Yamuna is the daughter of the sun and Radha is the daughter of Vrsabhanu, the sun in Taurus).

76] Divya kundalata narma sakhya-dama-vibhusita
She is adorned with the wreath of divine Kundalata's friendship.

77] Govardhanadharahladi srngara-rasa-pandita
She is the professor in amorous rapture, giving joy to the holder of Govardhana.

78]Girindra-dhara vaksah
She is Laksmi on the chest of the holder of Govardhan,

79] Srih sankhacudari-jivanam
She is the life of the enemy of Sankhacuda,

80] Gokulendra-suta-prema kama-bhupendra-pattanam
She is the settlement of Cupid for the love of the son of Gokulendra.

81] Vrsa-vidhvamsa narmokti sva-nirmita sarovara
Who made Her own pond after the killer of Arista mocked Her.

82] Nija kunda-jala-krida jita sankarsananuja
Who defeats Sankarsana's younger brother in sports in Her own pond.

83] Mura-mardana mattebha vihara-mrta-dirghika
She is the ambrosial pond of enjoyment for the intoxicated elephant who defeated Mura,

84] Girindra-dhara-parindra rati-yuddhoru simhika
She is a powerful lioness fighting amorous sports with the king of lions, the holder of the best of mountains.

85] Sva tanu-saurabhonmatti krta mohana madhava
Who enchants Madhava with Her intoxicating bodily fragrance,

86] Dor-muloccalana krida vyakuli-krta kesava
Who agitates Kesava by playfully showing Her armpit.

87] Nija kunda-tati kunja klrpta keli kalodyama
Who expands Her artful plays in the kunja on the bank of Her own pond, BR>
88] Divya malli-kulollasi sayyakalpita vigraha
Who makes a bed of divine jasmine flowers there with joy.

89] Krsna vama-bhuja nyasta caru daksina gandaka
Who places Her beautiful right cheek on Krsna's left arm,

90] Savya bahu-lata baddha krsna daksina sad-bhuja
Who holds Krsna's right arm with Her left vine-like arm.

91] Krsna daksina caruru slista vamoru-rambhika
Whose beautiful, broad, banana-like left hip touches Krsna's right hip.

92] Girindra-dhara drg-vaksor mardi-sustana-parvata
Whose nice, mountain-like breasts are being massaged by the Holder of Govardhana.

93] Govindadhara piyusa vasitadhara-pallava
Whose leaf-like lips are scented by the nectar of Govinda's lips.

94] Sudha-sancaya carukti sitali-krta madhava
Whose beautiful words distribute nectar, cooling Madhava off.

95] Govindodgirna tambula raga rajyat kapolika
Whose cheeks are colored by the pan from Govinda's lips,

96] Krsna sambhoga saphali-krta manmatha sambhava
Who realizes Krsna's fancies of amorous enjoyments.

97] Govinda marjitoddama rati-prasvinna sanmukha
The profuse perspiration from whose face is wiped off by Govinda.

98] Visakha vijita krida-santi nidralu-vigraha
Who is being fanned by Visakha when She falls asleep after playing with Krsna.

99] Govinda-carana-nyasta kaya-manasa jivana
Who has placed Her life, body and mind at Govinda's lotus feet.

100] Svapranarbuda nirmanchya hari pada-rajah kana
Who worships the dust of Hari's lotus feet with billions of hearts.

101] Anumatracyutadarsa sayyamanatma locana
Who curses Her eyes for every second that they do not see Acyuta.

102] Nitya-nutana govinda vaktra-subhramsu-darsana
Who beholds Govinda's ever-fresh moonlike face.

103] Nihsima hari-madhurya saundaryadyeka-bhogini
Who is the only enjoyer of Hari's endless sweetness and beauty.

104] Sapatnya dhama murali-matra bhagya kataksini
Who can only blink at the fortune of Her co-wife, the Murali flute.

105] Gadha buddhi-bala krida jita vamsi-vikarsini
Who takes Krsna's flute after defeating Him in a gambling match.

106] Narmokti candrikotphulla krsna kamabdi-vardhini
Who increases the ocean of Krsna's desires by the full moonbeams of Her joking words.

107] Vraja-candrendriya-grama visrama-vidhu-salika
Who is the moonlike resting place for all the senses of the moon of Vraja (Sri Krsna),

108] krsna sarvendriyonmadi radhetyaksara-yugmaka
The two syllables of Whose name Ra-dha madden all of Krsna's senses.


 Yogi Ananda Saraswathi

Bhu Devi and Sri Devi

5/2/2013

 
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BHUDEVI AND SRIDEVI

Occupy both sides of Mahavishnu. Bhudevi is Aparam Prakriti, the representation and totality of the material world or Vishnu’s energy or Mother Earth. Sridevi is Prakriti, the spiritual world. They are both one Lakshmi, the power of Mahavishnu, found on His chest, at the heart. Traditionally Lakshmi Puja is done by housewives.

LAKSHMI PURANA

Carries an interesting tale told during Lakshmi Puja connected with Lord Jagannatha. Once Shreeya, worshiped Lakshmi by observing Lakshmi Puja. She was not allowed into the temple. Mother was moved by her devotion and left Vimala temple, her permanent abode that is inside the campus of Lord Jagannatha Temple. She visited Shreeya's house to bless her.

This came to the knowledge of Lord Balabhadra, Jagannatha’s elder brother. Lakshmi was declared defiled and was not allowed to come back into the temple. Feeling hurt by this, Lakshmi went to her father, Sagara’s house and stayed there.

When Lakshmi went out of the temple, all wealth in the temple started vanishing. Over time, this left Balabhadra and Jagannatha not having food or sustaining themselves. They came out of the temple in the attire of Brahmin beggars in search of food. Soon enough, they ended in Sagara’s house seeking alms.

Mother Lakshmi comes out at the opportune moment. Balabhadra apologised for the mistake, and all of them returned to the temple. She agreed on condition that she will be given prasada before Lord Jagannata. The moral in this Puranic story is an admonition to pay regards to Mother Lakshmi for Her grace. Those disregarding are only paving their way to evil days ahead. It is also a warning to use and protect wealth properly. Misuse of wealth means sufferings to come.

 Yogi Ananda Saraswathi

Goddess Vimala

5/2/2013

 
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GODDESS VIMALA.

So long as man stayed closed to Nature, he comprehended and felt the interplay of creative and destructive forces. He accepted his world with its dynamism and diversity as the essence of a Mother Goddess. Shakti is the same everywhere as the life-bestower, nourisher, lover, comforter, and finally destroyer. She resided in forest greens surrounded by birds and animals, dark caves and golden beaches, on pink lotuses and above all in all hearts. The web of life is Her spinning lila performed as Shakti’s manifestations.

Mother Vimala is an incarnation of Mother Goddess Shakti. Daksha’s yagna and subsequent immolation by Sati or the episode of Shiva carrying his dead wife until Mahavishnu cut it with His Sudarshana Chakra to avoid total destruction of the Universe are too well known to be repeated. Mother Vimala made Her advent from a part of Sati that graced the earth.

SHAKTI PEETH:

There are disputed claims as to the part from which Mother Vimala emerged. It is said that she appeared where the crown of Goddess Sati fell on earth. Some claim that this is place is located on the banks of Ganga at Batnagar in Bangladesh. This temple is one among the 51 Shaktipeetahs. Others claim it to be in Murshidabad district in West Bengal, India. But the popular notion is that the navel fell in Puri in Orissa, where there is a famous temple dedicated to Goddess Vimala within the perimeters of Jagannath temple.

The Vimala Temple in Puri is considered to be an important Shakti Peeth in Orissa dedicated to Mother Parvati or Durga. It is customary to worship Lord Shiva as Bhairava, the male counterpart or guardian of the presiding goddess of the Shakti Peeth. In Puri, Goddess Vimala is the consort of Purushottama Jagannath, the form of Maha Vishnu or Sri Krishna. This is a departure from the usual Bhairava tradition and Tantric worship of Shiva-Bhairava rather than Vishnu worship. So it is gainsaid that in Puri, the Oneness of the Trinity is expressed through Jagannath. Mother Vimala is also then considered as Goddess Lakshmi, consort of Maha Vishnu.

However, the sanctum has three deities: Jagannath, Balabhadra and Subhadra. In Jagannath tradition, Lakshmi is the orthodox consort of Jagannath. But in Tantra, it is Vimala who is the guardian consort within the temple complex identified with the Goddesses Katyayini, Bhuvaneshvara and Bhairavi. Rituals are attributed to these Shakta goddesses as well as Shiva. The Durga Puja only goes to show Shakti influence. The festival in October is celebrated here for sixteen days culminating with Vijayadasami.

Traditionally Vimala is called Bhairavi with a sthala purana attached to it. Legend has it that Goddess Vimala as Bhairavi was the original occupier of the premises when Jagannath wanted residence. Vimala laid one condition to allow him entry. She said that the bhoga of Jagannath after being offered to him shall be first offered to her before anyone else, and it was on this condition that he was allowed an entry into the temple.

SAPTAMATRIKAS:

Vimala temple enshrines seven Mother Goddesses, the seven Shaktis of Parvati, namely Brahmi, Maheswari, Andri, Kaumari, Vaishnavi, Varahi and Chamunda. Goddess Vimala is the presiding deity of this renowned temple.

SRI VIDYA:

The great acharya, Adi Shankara is said to have established Govardhana Matha in Puri in the 8th century with Goddess Vimala as the presiding goddess. Bhaktas recited hymns from the Devi Mahatmya attributed to sage Markandeya. Debya paradhakshyamapana by Adi Shankara was also recited to pay respects to Goddess Vimala before worshipping Jagannath in the main temple. Then the Jagannatha temple was a Trimurti centre of worship and along with Saraswati, Lakshmi and Parvati. Vimala was a Parvati manifestation.

This practice continued to be Shiva-centric untill the late 17th century when Sri Vidya eroded to give way to Vaishnavism in Puri. While faint remnants of Shaivism and Shaktism remained the place became Vishnu-centric. Tantric Panchamakara which included meat and liquor, even ritual intercourse or tantric sex were all replaced with vegetarian offerings and devadasi symbolic dances. It was during the reign of King Narasimhadeva, ruling between 1623 to 1647 that some of the old traditions were partially revitalized.

It is said that non-vegetarian prasada is offered to Goddess Vimala on certain occasions. During Durga Puja, Mother Vimala assumes a destructive form and non-vegetarian meal is prepared to placate Her. It is said that this is a secret ritual in which a he-goat suffers its karma. Fish from the Markanda temple tank is hooked out. Both meat and fish according to Tantric rituals are offered to Vimala during pre-dawn hours. The rituals are complete before Jagannath sanctum is opened to dawn and morning aarti. It is said that Vaishnavites are excluded during tantric rituals and debarred from the temple. Those who make an attempt to participate are given Bimala parusa or Vimala’s cuisine.

VIMALA TEMPLE:

The Vimala Temple is part of the cluster of temples in Jagannath Temple in Puri. It is also known as Bimala Temple and considered to be a Shakti Peeth. Next to the temple is Markanda kunda. Rohini kunda, one of the other Pancha Tirtha of Puri is also within the vicinity. The Kunda is considered to be the abode of Narayana. The story of Sri Krishna being accidentally killed by one Jara is told in relation to this kunda and that of a banyan tree there called Akshaya Kalpavat. Apparently the divine log of Jagannatha floated from the sea to the Rohini Kunda. It is from this that King Indradyumna caused the Jagannatha deity to be carved.

The main Vimala Temple features are its sandstone and laterite walls, the Vimana, Jagamohana – assembly hall, Nata-mandapa or festival hall and Bhoga mandapa or hall of offerings.

To Shakta followers and Tantric worshippers, Vimala Temple is more important than the Jagannatha shrine. Mother is considered to be the Tantric consort of Jagannatha in the name of Bhairava. Indeed, Mother Vimala is worshipped first before Jagannatha is venerated. Prasada, while prepared for Jagannatha, does not get sanctified as Mahaprasada until it is first offered to Goddess Vimala. This is the ucchishta of Jaganatha’s offerings.

UCCHISTA:

There was a posting of uchchista before. Ucchishta is not impure if it is food remaining from temple prasada or guru. According to a beautiful Purana legend, once Lord Shiva visited Vaikuntha. Mahavishnu just finished his meals and few food grains had fallen on the ground. Shiva quickly picks the ucchistha and swallowed it only that half the grain stuck to his beard. He headed back to Kailasha where Narada sees the half grain, took and ate it.

Now, Mother Parvati got upset that her rightful share from her brother Mahavishnu’s ucchista had been consumed by Narada muni. Her mood was peeved and she went to Mahavishnu and complained as all sisters do to their brother. All-loving Vishnu pacified Mother Parvati that in Kali Yuga, she would take Her abode by His side in Puri and that would, as of right, be entitled to His uchchista from His Mahaprasada.

DEPICTION:

The inner sanctum is devoid of wall decorations and remains plain, symbolic of Vimala’s purity. This sanctum is said to be a 6th century construction. The deity is installed on a lion throne simhasana adorned with the figures of Vimala’s female attendants Chhaya and Maya on the sides. Mother Vimala holds a rosary in the upper right hand. Her lower right hand is held in a boon-giving mudra. Her lower left holds a pitcher symbolically filled with the celestial elixir of life, the amrita. The attributes in the upper left hand is heavily disputed. Descriptions include a human figurine, a nagini, a mermaid, a naga-pasha or serpent-noose.

MUKUTESHWARI TEMPLE:

This is one of the oldest temple near the Azimganj town situated on Bhagirathi river in Murshidabad district. The temple is dedicated to Goddess Vimala and is located on the shores of the Ganges near Barnagar. Also known as Kiriteshwari or Kiritkona, it is said to be the first among the Shakti Peeths based the claim that Sati’s crown fell here. The presiding deities are Devi as Goddess vimala and Lord Shiva as Sangbarta. The special feature here is the absence of deity or image.

​The red colored stone is a symbolic representation of the Goddess covered by a veil throughout the year. The veil is changed and the stone is given a holy bath during Durga Puja. This temple is said to be in ruins but King Yogendra Narayanan Roy of Lalgola is said to have created another temple opposite the original temple. Here there is a high altar on which a small altar is seen and the face of Mother Vimala is indexed.


By Yogi Ananda Saraswathi

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    Trishula  Sandra Das

    Practitioner of Jyotish, Yoga Tantra, Ayurveda,  Shakti Sadhana
    ​for 40 years.

    ~ VedicAstrologer ~

    ~ Researcher East & Western Wisdom, Past Life Regression, Mysticism ~

     ~ Mind Body Soul~
     Believer in Love,  Humanity, Peace, freedom & Soul Mates 
    ​
     ~ Baul Scholar ~
     ~ Qigong Master ~

    ~ MOTHER ~
    ~Photographer~

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