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Sarada Maa.....Sri Ramakrishna Parmahamsa's wife.. Calcutta W Bengal India

5/31/2012

 
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May 31st, 2012

5/31/2012

 
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Vaishno Devi

5/31/2012

 
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Durga Puja.. 

5/31/2012

 
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Laxshmi Devi

5/31/2012

 
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May 29th, 2012

5/29/2012

 
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15 phases of the Moon or Nitya's with Sri Chakra or Tripura Sundari the universe in the middle..

5/21/2012

 
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Tri Murti.. Laxshmi Parvathy Sarasvati, is TRISHULA

5/21/2012

0 Comments

 
Trishul is male it can mean the 3 Gunas, or Shiva Vishnu and Krishn

Trishula is female it is the name Babukishan gave me as my married name, this is tradition in Bengal for a husband to give his wife a name. Trishula is also Durga right before she turns into her Kali Rupa.

Tri is 3 (three)  is a 3 pronged weapon.

Trishula also means protection.

​Trishula the ultimate weapon the 3 Maha Shakti's Laxshmi, Parvathy, and Sarasvati.. 
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Maa Revolution...change the world..Jai Maaa!

5/21/2012

 
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Jivdhani Maaa! Outside of Mumbai in a place called Vrar..

5/21/2012

 
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    Hi Welcome to my Goddess Vidya Blog
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    Maha Shakti daily posts on Facebook...

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    Various Authors, and by:

    Yogi Ananda Saraswathi.

    Swamji -  is from a very ancient Shaiva Siddhanata lineage from South India and also a Swami in a well known order.
     
    By profession Yogi Ananda Saraswathi was a renowned published Lawyer now a Swami a one man show of spiritual wisdom.
    ​
    You can view his writings on :

    FACEBOOK @:
    https://www.facebook.com/yogi.anandasaraswathi  

    please respect:

    Universal Copyright Laws.



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    The cover page photo:
    The Natyasatra - A treatise on Hindu Dramaturgy and Histrionics 
    Ascribed to Bharata Muni
    ​
    Translated into English by Manmohan Ghosh
    Published by Asiatic Society of Bengal, Calcutta - 1951

    Read Book Online:

    http://bit.ly/1gjDYEc

    Download pdf Book:

    http://bit.ly/1Ooh38O

    The Natya Shastra (Sanskrit: नाट्य शास्त्र, Nāṭyaśāstra) is an ancient Indian treatise on the performing arts, encompassing theatre, dance and music. It was written during the period between 200 BCE and 200 CE in classical India and is traditionally attributed to the Sage Bharata.

    The Natya Shastra is incredibly wide in its scope. While it primarily deals with stagecraft, it has come to influence music, classical Indian dance, and literature as well. It covers stage design, music, dance, makeup, and virtually every other aspect of stagecraft. It is very important to the history of Indian classical music because it is the only text which gives such detail about the music and instruments of the period. Thus, an argument can be made that the Natya Shastra is the foundation of the fine arts in India. The most authoritative commentary on the Natya Shastra is Abhinavabharati by Abhinavagupta.

    The text, which now contains 6000 slokas, is attributed to the muni (sage) Bharata and is believed to have been written during the period between 200 BCE and 200 CE. The Natya Shastra is based upon the much older Gandharva Veda (appendix to Sama Veda) which contained 36000 slokas. Unfortunately there are no surviving copies of the Natya Veda. Though many scholars believe most slokas were transmitted only through the oral tradition, there are scholars who believe that it may have been written by various authors at different times.

    The document is difficult to date and Bharata's historicity has also been doubted, some authors suggesting that it may be the work of several people. However, Kapila Vatsyayan has argued that based on the unity of the text, and the many instances of coherent reference of later chapters from earlier text, the composition is likely that of a single person. Whether his/her name really was Bharata is open to question: near the end of the text we have the verse: "Since he alone is the leader of the performance, taking on many roles, he is called Bharata",indicating that Bharata may be a generic name. It has been suggested that Bharata is an acronym for the three syllables: bha for bhāva (mood), rā for rāga (melodic framework), and ta for tāla (rhythm). However, in traditional usage Bharata has been iconified as muni or sage, and the work is strongly associated with this personage.
    - Wikipedia 

    Image:
    Frieze with Dancer and Musicians, c. 973
    Northwestern India, Rajasthan, Sikar, Harshagiri, 10th century.
    Source: The Cleveland Museum of Art
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