Navaratri the nine nights of Druga!!

6/28/2012

During the festival of Navratri,

Goddess Durga Devi is worshiped in nine avatars. During these nine holy days, each day of goddess Durga Mata is worshiped in different avatara.

First day of Navratri – Kalasha Sthapana (Kalasha Pooja) or Ghata Sthapana –
Shailaputri Puja

Second day of Navratri – Preeti Dwitiya – Brahmacharini Puja

Third day of Navaratri – Chandrakanta pooja or Chandraghanta puja

Fourth day of Navaratri – Kushmanda puja

Fifth day of Navratri – Skandamata Puja – Lalitha Panchami

Sixth day of Navratri – Katyayani Puja – Maha Shashti or Durga Shashti

Seventh day of Navratri – Kaalratri Pooja – Durga Saptami or Maha Sapthami

Eighth day of Navaratri – Maha Gauri Pooja – (Durgashtami Puja/Maha Ashtami/Veerashtami)

Ninth day of Navaratri – Siddhidatri Puja – (Mahanavami/Maharnavami or Durga Navami)

Tenth day of Navratri – Aparajitha Puja or Shami Pooja – Vijaya Dashami or Dasara

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The cover page photo:
The Natyasatra - A treatise on Hindu Dramaturgy and Histrionics
Ascribed to Bharata Muni

Translated into English by Manmohan Ghosh
Published by Asiatic Society of Bengal, Calcutta - 1951

Read Book Online:

http://bit.ly/1gjDYEc

Download pdf Book:

http://bit.ly/1Ooh38O

The Natya Shastra (Sanskrit: नाट्य शास्त्र, Nāṭyaśāstra) is an ancient Indian treatise on the performing arts, encompassing theatre, dance and music. It was written during the period between 200 BCE and 200 CE in classical India and is traditionally attributed to the Sage Bharata.

The Natya Shastra is incredibly wide in its scope. While it primarily deals with stagecraft, it has come to influence music, classical Indian dance, and literature as well. It covers stage design, music, dance, makeup, and virtually every other aspect of stagecraft. It is very important to the history of Indian classical music because it is the only text which gives such detail about the music and instruments of the period. Thus, an argument can be made that the Natya Shastra is the foundation of the fine arts in India. The most authoritative commentary on the Natya Shastra is Abhinavabharati by Abhinavagupta.

The text, which now contains 6000 slokas, is attributed to the muni (sage) Bharata and is believed to have been written during the period between 200 BCE and 200 CE. The Natya Shastra is based upon the much older Gandharva Veda (appendix to Sama Veda) which contained 36000 slokas. Unfortunately there are no surviving copies of the Natya Veda. Though many scholars believe most slokas were transmitted only through the oral tradition, there are scholars who believe that it may have been written by various authors at different times.

The document is difficult to date and Bharata's historicity has also been doubted, some authors suggesting that it may be the work of several people. However, Kapila Vatsyayan has argued that based on the unity of the text, and the many instances of coherent reference of later chapters from earlier text, the composition is likely that of a single person. Whether his/her name really was Bharata is open to question: near the end of the text we have the verse: "Since he alone is the leader of the performance, taking on many roles, he is called Bharata",indicating that Bharata may be a generic name. It has been suggested that Bharata is an acronym for the three syllables: bha for bhāva (mood), rā for rāga (melodic framework), and ta for tāla (rhythm). However, in traditional usage Bharata has been iconified as muni or sage, and the work is strongly associated with this personage.
- Wikipedia

Image:
Frieze with Dancer and Musicians, c. 973
Northwestern India, Rajasthan, Sikar, Harshagiri, 10th century.
Source: The Cleveland Museum of Art