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Gandaki Shakti Peeth

2/4/2013

 
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Shakti Peeth

Gandaki Shakti Peeth to have known as the most famous pilgrimage for Hindus in India typifies to offer the salvation over their obstacles. Gandaki Shakti Peeth,located at Nepal, is dedicated to Goddess Gandaki existing as the most religious river of Nepal, having the Shaligrams-stones (form of Lord Vishnu) in her depths. Whereas, Goddess Gandaki (form of Goddess Shakti) and Lord Chkrapani (form of Lord Shiva) in Gandaki Shakti Peeth are meant to bestow the divine grace to content the lives a lot, Lord Vishnu, in form of Shaligrams, has brought up to Nepal come well-known all over the the country.

History: Gandaki Shakti Peeth as one of the saintly embodiments devoted to Goddess Shakti has its history interesting. Meaning that Goddess Shakti’ right cheek feel where Goddess Gandaki river appears on. As the history is considered of Gandaki River that the Shaligrams (form of Lord Vishnu) as fossil-stones in the Gandaki-River are found as the boon to Goddess Gandaki to have it in its depth.

The region where Shaligrams are found is also known as Shalgrams. Here, the Shaligrams region is in Mustang and River Gandaki basin, including the famous Kali-Gandaki river, Muktinath, Damodar Himal, Damodar Kunda, Devghat, etc. Indeed, Gnadaki River is fulfillment of sprititual attendance.


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    Swamji -  is from a very ancient Shaiva Siddhanata lineage from South India and also a Swami in a well known order.
     
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    The cover page photo:
    The Natyasatra - A treatise on Hindu Dramaturgy and Histrionics 
    Ascribed to Bharata Muni
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    Translated into English by Manmohan Ghosh
    Published by Asiatic Society of Bengal, Calcutta - 1951

    Read Book Online:

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    The Natya Shastra (Sanskrit: नाट्य शास्त्र, Nāṭyaśāstra) is an ancient Indian treatise on the performing arts, encompassing theatre, dance and music. It was written during the period between 200 BCE and 200 CE in classical India and is traditionally attributed to the Sage Bharata.

    The Natya Shastra is incredibly wide in its scope. While it primarily deals with stagecraft, it has come to influence music, classical Indian dance, and literature as well. It covers stage design, music, dance, makeup, and virtually every other aspect of stagecraft. It is very important to the history of Indian classical music because it is the only text which gives such detail about the music and instruments of the period. Thus, an argument can be made that the Natya Shastra is the foundation of the fine arts in India. The most authoritative commentary on the Natya Shastra is Abhinavabharati by Abhinavagupta.

    The text, which now contains 6000 slokas, is attributed to the muni (sage) Bharata and is believed to have been written during the period between 200 BCE and 200 CE. The Natya Shastra is based upon the much older Gandharva Veda (appendix to Sama Veda) which contained 36000 slokas. Unfortunately there are no surviving copies of the Natya Veda. Though many scholars believe most slokas were transmitted only through the oral tradition, there are scholars who believe that it may have been written by various authors at different times.

    The document is difficult to date and Bharata's historicity has also been doubted, some authors suggesting that it may be the work of several people. However, Kapila Vatsyayan has argued that based on the unity of the text, and the many instances of coherent reference of later chapters from earlier text, the composition is likely that of a single person. Whether his/her name really was Bharata is open to question: near the end of the text we have the verse: "Since he alone is the leader of the performance, taking on many roles, he is called Bharata",indicating that Bharata may be a generic name. It has been suggested that Bharata is an acronym for the three syllables: bha for bhāva (mood), rā for rāga (melodic framework), and ta for tāla (rhythm). However, in traditional usage Bharata has been iconified as muni or sage, and the work is strongly associated with this personage.
    - Wikipedia 

    Image:
    Frieze with Dancer and Musicians, c. 973
    Northwestern India, Rajasthan, Sikar, Harshagiri, 10th century.
    Source: The Cleveland Museum of Art
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