She is the manifest form of song, and the vibratory sound, Nada, that flows in the subtle channels, ‘nadis’, down through our entire body and mind. Matangi resides in the Throat chakra, the centre of speech. There is a special ‘nadi’ or channel that runs from the Third Eye to the tip of the tongue, which relates to Her. This is the stream of inspiration from the mind to its expression via speech. Matangi represents the flow of Bliss through this channel, which is experienced by the creators of great literary, poetic and other artistic work, resulting in brilliant expressions of creativity.
Matangi as Mahavidya severs attachment to the limited understanding of the world in terms of ‘pure’ or ‘impure’. She challenges the normally accepted concepts and values in an established social order. She brings into question the very notions of beauty, goodness, honor, respect, decency, cleanliness and physical comfort etc. She instills in the heart of the Sadhaka the faith that all existence is pervaded by the goddess and there is nothing that is outside the goddess; She pervades all; and within her there are no distinctions of ‘pure’ or ‘impure’. She guides the Sadhaka to transcend the artificial – manmade’ demarcations of beauty-ugliness, cleanliness –polluted or pure -profane etc. Her message forms the very core of the Tantra ideology.
Goddess Matangi is also Raja-Shyamala, dark with blue as the cloud filled with water. She is seated on the gem-studded throne, listens to the sweet utterances of the parrot, is aglow with youth, has one foot on the lotus, has her forehead bedecked with the crescent moon, plays on the veena, has garland of jasmine flowers, wears red garments, has conch-vessel. Matangi, lustrous like sapphires in her self-glory plays the ruby bejeweled veena. Om Shakti.